So, I was just wandering around the internet the other day, you know, looking for some new ideas, and wham! I stumbled across this artist, David Morandin. Hadn’t heard of him before, but his sculptures, they really caught my eye. Something about them just clicked.

My Little Project with His Style
His work, especially those metal pieces, they looked so… I don’t know, really strong but also kind of flowing. It got me thinking. I figured, hey, maybe I can try and understand what makes his art so special. Wasn’t planning on becoming a master sculptor overnight, obviously, but I wanted to get a feel for it. My “practice” was really about trying to get inside his head a bit, see the process.
Getting My Hands Dirty – What I Tried
First thing I did was spend a whole bunch of time just looking at photos of his sculptures. Sounds a bit basic, right? But I was trying to see the details, the way he puts things together. The way he uses different materials, especially those metals that look like they’ve been around for ages. I even tried to find out what kinds of metals he uses and how he gets those cool textures. It’s not like there’s a step-by-step guide out there for his specific techniques, you know?
Then I thought, alright, just looking isn’t going to cut it. I’ve got some old bits of metal in the shed – nothing special, just some scraps I’ve collected. I decided I’d try to bend them, shape them a little, just to see if I could even get a tiny sense of what goes into making forms like his. And let me tell you, it’s a lot tougher than it looks on a screen. A whole lot tougher.
- Finding the Right Tools: Man, I learned pretty fast that my usual hammer and pliers weren’t going to do much. Real metalworking tools? That’s a whole different ball game, and a different budget.
- The Muscle Power Needed: Some of those shapes he makes look so smooth and easy, but actually trying to bend metal, even the thinner bits I had, takes some serious effort. My hands were aching pretty quick.
- Figuring Out the Material: Metal isn’t like play-doh. It’s stubborn. It has its own ideas about how it wants to bend, or not bend. Morandin seems to have this amazing connection with his materials. I felt like I was just wrestling with mine, and mostly losing.
What I Realized From All This
This whole little experiment, even though I didn’t create anything you’d call art, really taught me something. It’s one thing to look at a finished piece and say “wow, that’s nice,” but it’s completely different when you try, even in a small way, to understand the work that goes into it. You get a whole new level of appreciation for the skill and the vision.

I figured out that what Morandin does isn’t just about sticking pieces of metal together. There’s a deep understanding there – of how things balance, how materials react, how to bring an idea to life in something so solid. It’s a tough, physical process but also a very thoughtful one. My “practice” was mostly me making a mess and learning about my own limits, which was actually pretty useful, haha.
Wrapping Up My Thoughts on This Adventure
So, yeah, my “David Morandin” exploration was more like dipping a toe in a huge ocean than a deep dive. But it was a good experience. It definitely made me respect sculptors, especially those who work with challenging stuff like metal, a whole lot more. It’s not just about having a cool idea; it’s about the hard work, the patience, and the sheer will to make something real. My admiration for artists like him definitely went up a few notches. And my shed is still a bit of a disaster zone, but hey, that’s all part of the learning curve, isn’t it?